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- Mixážní pult – MG II. série
- Počet kanálů: 20
- Počet mono vstupů: 12 mic/line (XLR/TRS)
- Počet stereo vstupů: 4 (2xTRS + 2xTRS/2xRCA )
- Počet mikrofonních vstupů XLR: 16
- Výbava mono kanálů: Insert, Gain, HPF@80 Hz, kompresor (kanály 1-8), Pan, On/Mute, PFL
- Výbava stereo kanálů: Gain, HPF@80 Hz, Bal, On/Mute, PFL
- EQ mono kanálů: 3 pásmový s laditelnými středy
- EQ stereo kanálů: 3 pásmový
- Počet Aux: 4 (1x Pre, 2x Pre/Post, 1x Post)
- Počet Aux Return: 2x stereo (směrovatlené do ST a Aux 1+2)
- Počet podskupin: 4 (2x stereo)
- Kompresor s optimalizovaným průběhem u prvních 8 mono kanálů
- 60 mm fadery
- 12 segmentový LED měřič úrovně na výstupu
- Sluchátkový výstup
- Konektory výstupu: TRS/XLR
- Phantomové napájení: +48 V (společné zapínání pro 12 mono kanálů)
- USB: In/Out
- Šasi: plastové
- Možnost montáže do 19“ racku
- Cubase AI4 součástí dodávky
- Frekvenční rozsah: 20 Hz - 20 kHz (+1/-3 dBu)
- THD: menší než 0,1%
- Šum a Brum: -128 dBu
- Přeslech mezi kanály: -70 dB
- Rozměry: 496x105x478 mm
- Celková hmotnost: 6 kg

Extended Capacity and Versatility for Studio or Stage

For applications requiring up to 12 input channels the MG124C or MG124CX offer stunning MG-series sound plus an extra margin of signal-routing versatility. The only difference is effects. If you don't need effects or already have a collection of outboard effects that suit your needs, the MG124C is probably the right choice. The MG124CX features a high-performance digital multi-effect processor built-in, giving you everything you need in one compact, powerful package.

01 INPUT SECTION

Flexible 12-input Configuration

The MG124C and MG124CX both have a total of 12 input channels - four mono microphone/line inputs and four stereo line inputs. Two of the stereo line inputs can also function as mono microphone inputs, giving you up to six simultaneous mono microphone inputs when needed. Gain trim covers a wide -60dB ~ -16dB range for microphone input, and -34dB ~ +10dB for line input.

Comprehensive, Easy-access Connector Panel

Top-mounted input and output connectors make setting up and re-patching your system quick and easy. Both models feature high quality Neutrik™ balanced XLR connectors on all four mono microphone/line channels and two of the stereo channels. The XLR-equipped stereo channels can accept mono microphone input either via the XLR or phone jack connectors. The remaining stereo channels provide phone jack and pin jack connectors for compatibility with a wide range of sources. The four mono input channels also feature insert I/O connectors that let you patch external signal processing gear into those channels as required. Separate pin-jack 2TR inputs are provided to accept the output from a CD player or similar stereo source.

Six High-performance Microphone Preamplifiers with Switchable Phantom Power

The microphone preamplifiers in any mixer are critical to its overall performance. The microphone preamps built into the MG mixers inherit technology from Yamaha's top-line professional consoles, and have been painstakingly designed to deliver superior sonic performance with any dynamic or condenser microphone. All six microphone preamps feature switchable phantom power so you can take advantage of the natural, extended response of high-quality condenser microphones. A single switch turns phantom power on or off for all microphone channels.

Built-in Channel Compressors

Built-in channel dynamics is usually only found on high-end (and very expensive) consoles. The MG124C and MG124CX feature Yamaha's innovative one-knob compression feature on mono input channels 1 through 4. This advanced feature can be a tremendous advantage in achieving great vocal sound. It can also be used to refine the sound of bass, guitar, and other sources. Conventional audio compressors with their threshold, ratio, knee, makeup gain and other controls can be complex and time-consuming to set appropriately for a given source. Yamaha's one-knob compressor eliminates the need for an engineering degree with a single control that lets you simply dial in the amount of compression you want.

3-band Channel EQ and High-pass Filter

Yamaha has decades of experience in building truly useful, musical equalization into successful pro consoles, and the channel equalizers in MG-series mixers carry on without compromise. Channels 1, 2, 3, 4, 5/6, and 7/8 feature full 3-band equalizers with LOW, MID, and HIGH controls, while 9/10 and 11/12 have 2-band EQ for smooth equalization of stereo sources. Many inputs also feature an 80 Hz low-pass filter that can be used to eliminate subsonic noise that is outside the equalizers’ range.

Four Buses (Stereo and Group)

In addition to the main stereo bus the MG124C and MG124CX feature a stereo group bus and outputs that can be used for convenient channel grouping. Assign switches for the stereo and group buses are located next to each channel fader.

Illuminated Channel ON Switches

All input channels feature illuminated channel ON switches chat can be used to individually add or remove channels from the mix without having to change the positions of the channel faders. The effect channel on the MG124CX also has it's own ON switch.

02 MASTER SECTION

Effect/Aux Sends

The MG124CX has pre/post switchable AUX sends on all channels as well as EFFECT send controls that adjust the level of the signal sent to the mixer's internal multi-effect system. The MG124C has dual AUX send controls for each channel, one switchable for pre- or post-fader operation, and one fixed for prefader send. Master send controls are also provided, as are RETURN level controls for the AUX and STEREO busses.

Stereo, Control Room, Monitor, and Headphone Outputs

Located above the mixer's master controls, on the convenient easy-access connector panel, are the main stereo output connectors, phone-jack monitor output connectors, pin-jack recording outputs, and a stereo headphone jack. These versatile mixers offer plenty of connectivity for a wide range of applications.

Bright 12-segment Meters for Visual Level Monitoring

Accurate visual level monitoring can help you achieve maximum signal-to-noise ratio without distortion. The MG mixer's bright, easy-to-read 12-segment LED meters make it easy to control system levels for optimum overall performance.

03 CONVENIENCE AND OPERABILITY

Smooth 60-millimeter Faders

Channel and master level control is accomplished via reliable, high-performance 60-millimeter linear faders that provide smooth, noise-free operation. An important advantage of linear faders is that they provide a direct visual indication of relative level settings.

Lightweight, Portable Design

In spite of the fact that they offer 12 channels, four buses, and a wealth of advanced features, the MG124C and MG124CX are small and light enough (only 2.9 kilograms) to be tucked under an arm and set up just about anywhere. Both of these remarkable mixers provide significant space savings along with huge performance benefits.

Easy Operation

All switches, controls, and displays have been designed and laid out for intuitive access and smooth, reliable operation with positive tactile and visual feedback.

MG124CX Built-in SPX Effects

The MG124CX's includes an astonishing amount of SPX signal processing power. It incorporates a versatile digital multi-effect processor that provides a range of reverb, delay, modulation, and distortion programs you can use to refine and define your sound. Each of the 16 effect programs has a number of editable parameters as well as effect on/off switching capability and return level control. If you need to keep both hands free to play an instrument or perform other operations, an optional footswitch can be connected to the mixer's effect footswitch jack for convenient on/off switching.

Electrical Characteristics

All VR are nominal when measured. (Nominal position is adjusted to a position that is 6dB lower than the MAX position) Output impedance of signal generator:150ohms
*: EFFECT exists only in MG82CX
**: ST CH IN 9/10 exists only in MG102C

Input specifications

*1 0dBu is referenced to 0.775Vrms. 0dBV is referenced to 1Vrms.
*2 Sensitivity is the lowest level that will produce an output of +4dB(1.23V), or the nominal output level when the unit is set to maximum level.(all faders and level controls are at maximum position.)
*3 XLR-3-31 type connectors are balanced.(1=GND, 2=HOT, 3=COLD)
*4 Phone jacks are balanced.( Tip=HOT, Ring=COLD, Sleeve=GND)
*5 Phone Jacks are unbalanced.
*6 Phone Jacks are unbalanced.(Tip=Out, Ring=In, Sleeve=GND)

Output specifications

*1 0dBu is referenced to 0.775Vrms. 0dBV is referenced to 1Vrms.
*2 XLR-3-32 type connectors are balanced.(1=GND, 2=HOT, 3=COLD)
*3 Phone jack are balanced.(Tip=HOT,Ring=COLD,Sleeve=GND)
*4 Phone Jacks are impedance balanced. (Tip=HOT,Ring=COLD,Sleeve=GND)
*5 Phone Jacks are unbalanced.(Tip=Out, Ring=In, Sleeve=GND)
*6 AUX SEND 2 exists only in MG124C.
*7 EFFECT SEND exists only in MG124CX.